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ENGLISH DOCS FOR THIS DATE- Group Processing Series B - Attention (4ACC-31) - L540304 | Сравнить
- Group Processing Series B - Spaces (4ACC-30) - L540304 | Сравнить
- Group Processing Series B - Work (4ACC-32) - L540304 | Сравнить

CONTENTS GROUP PROCESSING SERIES B: ATTENTION Cохранить документ себе Скачать

GROUP PROCESSING SERIES B: WORK

GROUP PROCESSING SERIES B: ATTENTION

#0985 5403C04 4ACC-32#0984 5403C04 4ACC-31

I want you to get, now, some things for which you are not setting an example. Some more things which you're not setting an example for. Some more things you're not setting an example for. And some things which are not setting an example for you. Now get that one with certainty. Something that isn't setting an example for you. OK.

I want you to isolate, spot, identify some things on which you do not have to keep your attention fixed. Find something on which you don't have to keep your attention eternally fixed. At least one thing absolutely sure. Now let's get several things on which you don't have to keep your attention continually fixed. Some more things. Let's find some more things on which you don't have to keep your attention fixed. And some more things you don't have to keep your attention fixed on. Alright.

Now let's get some work you could do without killing you. Work you could do, wouldn't kill you. Now let's get some things you could do without somebody immediately telling you that you had to do them some other way. There must be one. Now something you could repair without somebody taking the tools out of your hand. And some efforts you could engage in which would be productive. Alright.

Now let's check over some objects, people, animals, places, which you're not demanding put their total attention on you. Some more things you're not demanding that they put their attention on you. Now let's get some people, specifically, that you're not demanding of them to put their attention on you. Alright. Now let's get some people, specific people that you're not demanding of them to put their attention on themselves. Some more people that you're not commanding to put their attention on themselves. Alright. Now some people that aren't commanding you to put your attention on yourself. Some more people that aren't demanding you put attention on yourself. OK.

Now let's run a very, very wicked little process. Let's get you deciding to work, and then have somebody in front of you decide that you won't work. And then you decide to work, somebody decides in front of you that you won't work. And so forth, back and forth. Alright. Now let's have somebody in front of you decide to work, and you decide they won't. And get that back and forth. Alright. Now let's play it in the other direction. Let's you decide to work, and somebody decides that you won't work. And go back and forth on that. OK. Now let's get somebody in front of you deciding to do some work, and you decide they won't. You get that back and forth several times. Alright.

Now let's call off some objects, locate some objects that you're not commanding put attention on other specific objects. Two at a time. OK. Now let's list some objects which are not at this moment demanding attention from you. And let's check over some objects from which you're not demanding attention. OK.

Now let's get two people that you most closely associate with work, two other people, your mother and your father, something like that, and let's have one of them decide to work and have the other one stop it. Back and forth, many times. OK. Now let's reverse the role. The person that's been doing the stopping, now let's have this person decide to work and the other person stop it. Now let's reverse the role the other way around again, the way it was the first time. One of them decides to work, the other one stops him. Alright. Let's set that aside.

Now let's find some attention which you're not trying to withdraw from. Some more attentions from which you're not trying to withdraw. Now some spectators of audiences you're not at this moment trying to appear before. Some audiences you're not trying to appear in front of. Some more audiences you're not trying to appear in front of. Now some audiences you're not trying to appear naked in front of. OK.

And now let's get you deciding to work and somebody in front of you deciding to stop you, one way or the other. And get that back and forth, first you decide to work, then they try to stop you. Now let's reverse that role. Somebody in front of you decides to work and then you decide to stop them. And so, back and forth. OK. Let's set that aside.

Now let's find a couple of objects and hold on, and don't think. OK. Let's let go. Find some places you're not.

Now you get the idea of enjoying work. Put some enjoyment for work out in front of you. Put it there some more. Enjoyment for work. OK. Now put out some enjoyment for work and then, further away from you, have somebody sympathize with the fact that you have to work. Put that out there alternately. Enjoyment for work, then somebody sympathizes with the fact that you have to work. OK.

And now let's take a general survey of the situation and find some good places to hide. Some really good ones. Now let's find some good hiding conditions. What's the best condition to be in, so that you could hide. Some more conditions very ideal to the problem of hiding. Alright.

Now let's have somebody else enjoying working, and you sympathize with them for having to work. They're enjoying working and then you sympathize with them. Then get them enjoying working and you sympathizing with them. Alright.

Now let's figure out a condition, the best condition you have, and the best place to hide, and make all the necessary decisions so that you could be in that condition, and hide successfully. Let's see if we can't better this solution somewhat. And now let's get some things which you could think, which wouldn't be picked up and betray your whereabouts, so that we get thinkingness taken care of there, too. OK.

Now let's get two other people out in front of you that you associate with work, and one of them be enjoying work and the other one sympathizing because the other one has to work. Now do it the other way too, now. Reverse the roles of these two people. OK.

Now let's insist that the body put attention on itself. Insist that several times from several different locations. Let's be more insistent about it, now.

Let's find a couple of objects and hold onto them and don't think. OK. Let go. And find some places where you're not.

Now let's check over some attentions that wouldn't be entirely undesirable. Some attentions that would be acceptable. Some things that which, if you could get attention, attention of which would really be acceptable. Now let's check over a number of things willing to accept your attention. And now some things from which you would be willing to accept attention.

Now any of you has a ridge or a black mass or a, anything of this character, I want you to make it hold the forward two upper corners of the room. I want you to make it hold the upper forward anchor corners of the room. Just like you hold the back two anchor points of the room. But you just make it hold those two anchor points up in the front of the room. Now don't let it think, just make it hold. Make it hold it some more.

And now some persons or things to whom you would willingly appear, show yourself. And some things which would willingly show themselves to you. And some things to which you would be willing to show yourself. And some things which are willing to show themselves to you. Alright.

Now make duplicates of it holding corners of rooms in a similar fashion, all over the place. Anyplace you can find two upper corners of a room, make a duplicate of it, hold those two corners. Start using up the corners for miles around with it. Hang up lots of them. Hang up some more of them. OK. Throw these away.

Now let's list some things you are not at this moment trying to compete with. Get some very certainly. Some more things you're not trying to compete with. OK, now let's check off some things or people which or who are not competing with you. OK.

Now let's find some spaces you are not occupying. OK.

Now let's check over some objects, some objects which could appear without immediately sending you someplace. And check over some things which, if you gave them your attention, wouldn't blow you up. And some things that would not blow up if you touched them with some energy of your own. Some more such things. Some more things you could touch without exploding. OK.

Now mock up your body facing you with its arms holding onto the two forward upper anchor points of the room. And make it stay there and don't think. Tends to disappear, put it there again. OK.

Find a couple of objects and hold on and don't think. OK. Let go. And find some places where you're not.

Now take duplicates of this body, your body, and hang it up in such a way its hands are grasping two upper corners of rooms, and just keep on doing it as long and as far as you've got rooms to do it in. A new body for each two new corners you can find. OK. Let's sweep these aside. And now let's just take various and assorted bodies and pin them up the same way, duplicating each one many times in different rooms. OK.

Check over now, some things you could communicate with, safely. And now some things which could communicate safely with you. And now some things you could touch without an immediate explosion. And now some things you could cause without terrible consequences. And some things which could be caused on you without terrible consequences. Get one, at least. OK.

Now let's find some spaces you're not occupying. Throw those all away. Find some spaces you're not occupying. OK.

Now let's get some spaces you're not occupying.

Now let's pop some things into the environment, in your surroundings, to which you don't have to compare yourself. Just find some more to which you don't have to compare yourself. OK. Now let's find some things in the environment that aren't comparing themselves to you. OK.

And now some things you could do without several hours of hard considering. And several things you could kill, without any consequences to you. At least one. Then some more. Now let's get several things you could say without immediate retaliation or consequence. And several things you could depart from, which wouldn't hold you. Some more things you could depart from, which wouldn't hold you. One for sure, and then some more.

Now let's mock up your body, or anything you can get for it, and have it surrounded by a clear mass. Perfectly clear mass. And duplicate this many, many times. Let's throw all those away now. And let's mock-up the body each time, with a clear gelatinous mass around it. Perfectly clear, nothing in this mass, not even any significance. No matter what shows up, and so on, continue in the direction of having this totally clear. Duplicate it many more times. OK.

Now let's get some things you could have departed from, if you'd only known it. Some more things you could have departed from. People, situations, if you'd only known it. More things you could have departed from, if you'd only known it. And more things you could have departed from, if you'd only known it. And more things you could have departed from, if you'd only foreseen the real end. And now some things you might as well have thrown away, considering what happened to them. Some things, considering what happened to them, you might as well have broken or ruined. OK.

Let's find some spaces you're not in. Now let's find a couple of objects and hold onto them and don't think. OK. Let go. Find some places where you are not.

Let's find a couple of objects and hold onto them and don't think. OK. Let go. Find some places where you're not.

And get the most certainty you can on the following: Conditions of mind which are not chronic with you. Let's get some more of those now, physical and mental conditions which are not chronic, which are not continuous with you. Now let's go over these again. Conditions of mind which are not chronic with you. OK.

Now let's find some times when you needn't have been so careful of something, considering what eventually happened to it. Alright. And people you needn't have been so nice to, considering what they eventually did. And things you might as well have thrown away, considering their fate. And people you needn't have been so polite to, considering what they did afterward. And people who really didn't have a hold on you, after all. And problems you needn't have been so careful at working out, seeing that no solution was ever put into effect. And things you could have walked away from, if you'd only known. OK.

Now let's check off some physical conditions which are not always existing with you. Get some more of them. Physical conditions which are not chronic. Get some more physical conditions which are not always with you. And now some emotional states which you're not chronically in. OK.

Now let's check over, let's check over and find some barriers, which are not at this moment immediately in front of you. And some barriers, which are not at this moment immediately behind you. And some distances which are not immediately in front of you, and which you will not immediately have to cross. OK. Some distances which are not immediately behind you, and which you've just crossed. Now let's find some spaces that aren't immediately under you. And where are some places now, where you are not falling the rest of the way. OK.

Now let's mock up the body flip-flopping. Flip-flopping with terror and dying as a result of it. And then do it again and again and again and again and again and again. And some more. Mock up that body flip-flopping. Uncontrollable terror, flopping all over the place, screaming with agony, falling down, kicking the bucket, bang! Alright. Throw all those away.

And some things which you are free to put your attention upon. Some more things which you are free to put your attention upon. And some things you could permit to give their attention to you. And some spaces that you're not at this moment stuck in. Some more spaces you're not stuck in. Some more spaces you're not stuck in. Some more spaces you're not stuck in. Some things you are not at this moment doing. Some things you wouldn't object to having moved. Get something that you wouldn't object to moving, having moved. And now get some people you wouldn't have to consult before you acted. OK.

Now let's mock up the body as totally unconsciously stupid and knowing nothing, and you trying to get it to know something. And let's do that many times, over and over. Over and over, many times. OK. Sweep that away.

Find a couple of objects, hold on and don't think. Let go. And mock up your body as flip-flopping and out of control. And do that again, do it again, do it again, do it again. Now mock-up your body as unconscious, again, and again, and again, and again. Now mock up yourself as dead because of the processing, and again, and again, and again, and again. Find some places where you're not. Find the floor beneath your feet.

Now mock up the body unconscious, giving a little pop as it perishes, and wasting away to dust. Goes unconscious, gives a little pop as it perishes and wastes away to dust. Over and over, many times. Run this cycle. OK. Throw those all away.

End of session.

Now mock up the body as growing older and older and getting very aged. and perishing, all the time with the thought that it never accomplished anything. Do that several times. Mock it up, getting older and older and more and more caved in, never accomplishes a thing, and then perishes without ever having accomplished anything. OK. Throw that away.

Now mock up the body getting uglier and uglier, less and less beautiful, and unable to procreate any more, and perishing. Do that many times. Do that many more times. Get it losing it's looks and abilities and depending upon everybody to help it, but it perishes, never accomplishes anything. Can't procreate. OK. Let's throw all that away.

And hold onto a couple of objects and sit there and don't think. OK. Let go. Find some places where you are not. Alright.

Now let's check over some people who are not at this moment endowing a sphere around you, let's just pretend there's a sphere, who are not endowing this sphere with life. People who are not giving it life. For sure now. Let's get some more people who aren't endowing your body with life. Let's find some more people who aren't giving you life. Now let's find some people who aren't taking life away from you. And now some people who are not giving you life. Get some certainty.

And now let's discover some people who are not just about to take your life away. Now let's find some people, against whom you do not have to actively defend yourself. And some people whom you are not actively defending. OK.

Now mock up the MEST universe as exclusively owned by you. And do it again, and do it again, and again and again and again. Let's do that some more. Mock up the MEST universe as exclusively your property. Let's do this many more times. Now let's mock up god as your own invention. And do that many times. Let's do that many more times. Now let's mock up your hometown as invented and owned by you. Do that many times. Now mock up the United States as invented and owned by you. Now let's mock up Great Britain, and all of her colonies, as invented and owned by you. Do that many times. Now let's mock up Earth as invented and owned by you. Let's manage it. OK.

Now let's mock up your body and everything that belongs to it as invented, created and owned by you. And let's do that many more times. And some more times. Mock up your body and everything around it and surrounding it and pertaining to it, as invented and owned by you. OK.

Find a couple of objects, hold on and don't think. Let go. Find some places you're not occupying. OK. Find the floor beneath your feet.

End of session.